Digitization of Slide Film (35mm) – Transfer, Postproduction, Admissible Changes
Iosif Astrukov
pp. 155 - 177
 
Title: Digitization of Slide Film (35mm) – Transfer, Postproduction, Admissible Changes
Authors: Iosif Astrukov

Abstract: One of the most widespread photography formats before digitization, both for professional and amateur use, was the slide film (35mm, Leica format). Due to its compact size, compared to medium and large formats, this equipment was preferred by all photo reporters, photographs of the wild nature (probably the best known was the ones of the National Geographic magazine) and of course for the general people, creating family photos. Slides were the common way of presenting, when images had to be shown at wide audience. They appeared also in art – in galleries and on stage. For that reason there is enormous material shot on this medium, transferred regularly in digital format. The digitization itself is constantly changing and sometimes the same image is digitized numerous times. In this material I will follow the basic ways of digitization and the changes that occur. Important problem of the digital transfer still remains the limit of admissible postproduction, which inevitably is modifying the initial image.

Keywords: Photography, Slides, Digitization, 35mm

Received: 12-03-2021     Accepted: 22-06-2021     Published: 29-06-2021

Citation: Astrukov, I. (2021). Digitization of Slide Film (35mm) – Transfer, Postproduction, Admissible Changes. Cultural and Historical Heritage: Preservation, Presentation, Digitalization (KIN Journal), 7(1), ISSN 2367-8038, Institute of Mathematics and Informatics – Bulgarian Academy of Sciences, 155–177. DOI: https://www.doi.org/10.26615/issn.2367-8038.2021_1_012